BEAT BOOMERS HIS WAY THROUGH CHAPTER FOURTEEN

Just completed rewrite of Chapter Fourteen. Eight chapters of rewrite to go on Angie's Choice. If I set a pace of one chapter minimum per week, I'll be done in two months.

It's not all peaches and cream in Portland

For no reason at all that I could at first discover, I included this photo from downtown Portland on Labor Day two years past. As I uploaded it, I thought it ought to be titled: IT'S NOT ALL PEACHES AND CREAM IN PORTLAND, then I realized this photo actually refers to the previous post in which I mention the unmentioned reasons for the time lapse between my first novel under the tutelage of Britain's Kenneth Hopkins in 1965 and my appearance in the writing program at Eastern Washington University ten years later in 1975.

In my drinking years and in my struggle to imagine myself as a writer, that image of people sleeping in a doorway, and others like it, have always burned in my imagination. I literally felt I was one misstep from sleeping in doorways myself. The photo on the right is a picture of me in a Cheney, Washington alley not too long after my arrival in Washington to attend Eastern Washington University. I'm in full blue collar, drifter regalia except for the book bag slung over my shoulder—denim jacket, denim shirt, Levis and steel toed boots. I took several pictures of alleys that first summer and fall in Cheney.

This alley photo is aptly dark and mysterious, I thought at the time. You can see the snow on the ground and the winter light explains the murky quality of the photo...a technical detail I still don't know how to fix, but, hey, I was a murky sort of individual at the time, and I have managed to tone that up a bit. Everything an individual does always psychologically fits, if you think about it. I like to know the personal histories of the writers I enjoy. It makes sense that most of the writers I was drawn to were alcoholics, doesn't it? Oh yeah!

KENNETH HOPKINS...A GOOD WAY TO LEARN TO WRITE

Rewriting on Angie's Choice continues, and my wife has begun to read the yellowing, typewritten pages of a novel I wrote in 1965 while I was a candidate for a Masters in English at Southern Illinois University. She tells me without a trace of irony that she likes The Man In the Mirror.

Kenneth Hopkins and anonymous lady

British writer, Kenneth Hopkins, created the excellent opportunity to write that novel. He'd been a humor writer for Punch after WWII until a round of economizing cost him his position. He decided he had enough money to last two years and, with his wife's agreement, he took that time to write and sell a mystery. 

Hopkins was the first visiting writer I ever encountered at a university. SIU brought Hopkins over to teach one section in creative writing. First day of class, Hopkins announced there'd be only two grades in his course—A or F. If you completed a long project—poetry ms, novel or play—you earned an A. If you didn't complete a long project, you got the F. He never held another class but said he'd be available in his office if we gave him a call first. I sat my ass down and typed an 11 chapter novel in 11 weeks to earn my A. (The boundless energy of youth, eh?) Mr. Hopkins liked the novel so well he took it too England to show his editors. They said, "Have Mr. Thomas write a couple more novels, and he'll be able to rewrite and sell this." The story about what came between me and those "couple more novels" would fill a biographical chapter. Or two.