SILENT BACKSTORY FOR THE NEW SILENT BOOMER'S NOVEL

I've been weeks working up what's become a 5 page back-story for the new novel. A complex history has developed that I find quite intriguing. Looking through photos on the web as stand-in inspirations for my main characters, I've found a lover for my detective and a face for his robotic partner. Faces for the Huynhymns might be harder to find, but I think I've got the Neanderthals covered pretty well. The ghouls I'll leave to your imagination.
If you think you're hearing things, well...?

More good news:  a recent effort at humor was accepted in an online issue of 50plusnorthwest.com.  

Last Saturday, was privileged to be offered (by Chris Luna) the opportunity to read a poem at the Peace and Justice Fair at Esther Short Park in downtown Vancouver. Received an unexpected honorarium of 25 dollars. Add that to the 22 dollars I earned in 1978 from the publication of two of my poems in the Anglo-Welsh Review, and I'm fat as far a being a poet on the outskirts of the known world of poetics is concerned. Of course, I've not put a value on all the copies I've received of the magazines I've appeared in. The 6 years Mertie and I published the microzine, George and Mertie's Place, we did have subscribers, but we never broke even. Didn't plan on profits in the first place. 

SILENT BOOMER BOOMING ALONG QUITE NICELY

I've been writing non-stop on the new novel. I pull my smoking keyboard to the side of the road in late afternoon to take my hour walk...in time, also, to do my cooking chores unless it's a morning crock pot preparation. I'm continually asking my working wife to have pity on the poor writer and his creative burden. When I awake, I don't even want to take time to eat or shave. I've completed 27 pages, but I see far ahead into the many possible ways this book can go. I continually adjust the characters and plot roots. One flesh and blood character has turned into a robot. I continually go over the same pages to adjust for my changing visions. The place and circumstances of the novel are so real to me I find myself putting too much detail in, and I want to keep the reader hoping along. It's best to salt the action with details rather than pour them over it. I've also written two possible openings or one may follow the other. 

It's all pretty exciting. Angie's Choice felt exciting years ago when I wrote it. Speaking of Angie's Choice, another agent rejection came in: 

Hi, George,
Thank you for your query. While your project certainly has merit, I'm going to pass. As I'm sure you know, it's important that your agent be totally excited by/committed to/passionate about your project, and I'm afraid that just didn't happen here. But opinions vary considerably in this business, and mine is just one. I'm sure you'll find others who feel differently. I hope so! I wish you the very best in your search for representation. 

Warm regards, Laney Katz Becker, Lippincott Massie McQuilkin

Agents are always kind. It could be worse, you know? They could send a photo of an agent gagging on the novel. On the more positive side, I've been asked to read a poem at the Peace and Justice Action Fair in Vancouver on the 7th of September, and another poem of mine will be hung with a piece of someone else's art at the Gallery360 Art Meets Literature Show. Theme was inspiration. Another poem or two may soon find a home, and it sounds as if someone will write a feature article about this poet for the Vancouver Vector. If that happens as expected, I'll include more details later...names and etcetera. You can always find my work at Amazon or Author House if you've a mind to. Thanks for reading.