To recap the last couple of busy months: beside the steady rewriting of Angie's Choice, I've had a couple of poems accepted into literary magazines, and I've entered two contests (one poetry and one short fiction) about which I'm awaiting results. I'm also anticipating responses from two query letters to very intelligent and discerning literary agents. How can I lose? It's been a busy period, not counting that I finished my autographed copy of Richard Dawkin's The Greatest Show On Earth and a couple of chapbooks of poetry by Michael G. of Portland, some poetry by Gary Snyder and All Our Brownskinned Angels by Raul Sanchez. I intend to reread The Great Gatsby. Mertie and I watched the non-3D version of that new film last week. F. Scott was for the longest time my favorite writer, back when the world was young, full of champagne and I was too.
Let's Speak The Same Language
Showing posts with label Raul Sanchez. Show all posts
Showing posts with label Raul Sanchez. Show all posts
Saturday, June 22, 2013
A BOOMER'S VIDEO CONTAINS A LITTLE WHITE LIE
To recap the last couple of busy months: beside the steady rewriting of Angie's Choice, I've had a couple of poems accepted into literary magazines, and I've entered two contests (one poetry and one short fiction) about which I'm awaiting results. I'm also anticipating responses from two query letters to very intelligent and discerning literary agents. How can I lose? It's been a busy period, not counting that I finished my autographed copy of Richard Dawkin's The Greatest Show On Earth and a couple of chapbooks of poetry by Michael G. of Portland, some poetry by Gary Snyder and All Our Brownskinned Angels by Raul Sanchez. I intend to reread The Great Gatsby. Mertie and I watched the non-3D version of that new film last week. F. Scott was for the longest time my favorite writer, back when the world was young, full of champagne and I was too.
Friday, June 14, 2013
THE JOYS AND SORROWS OF THE POET
Making progress on rewrite of Angie's Choice. Deep into chapter nine after hangups in eighth. Entering a poem in a Gallery 360 art and poetry collaboration. Ten bucks entry fee, and if you're selected, you hang your poem upon the wall and offer it for sale among the fine arts.
Was so inspired by the integrity and guts displayed at last night's Ghost Town open mic at Cover To Cover Books
that I almost want to stop this novel rewrite and return immediately to poetry.
Raul Sanchez was the featured poet and his poems about his father and
grandmother stimulated my imagination toward writing about my family relations which,
however, would not be poetry of unconditional love as his were, but
poems of confusion, ambiguity and ambivalence. As usual, perversity
would be my muse, accompanied by self flagellation.
Last night was one of the best open mic experiences I ever enjoyed. I also recall a Sunday night at Mootsy's in Spokane when my two sons were there, and I donned a ski mask and let rip a lengthy, hate-filled diatribe I call a poem. About that poem: I ripped off the final lines of Coleridge's "Kubla Khan". You know...the finale that begins, "Weave a circle 'round him thrice and close your eyes with holy dread?" My thievery so bothered me that I finally rewrote the ending not too long ago.
Don't know how many times I've dashed back and forth between poetry and fiction. I have two writing degrees—poetry and fiction. I say these things, knowing full well that degrees mean absolutely nothing except that I was willing (or foolish enough) to throw away my money in hopes of landing a writer's in residence position at a university while trying to avoid a meetup with Mr. Manual Labor as long as I could afford to. Ah, the joys of entertaining the muse in your captain's quarters for a lifetime, eh, William Henley?
Raul Sanchez and volunteer musicians |
Last night was one of the best open mic experiences I ever enjoyed. I also recall a Sunday night at Mootsy's in Spokane when my two sons were there, and I donned a ski mask and let rip a lengthy, hate-filled diatribe I call a poem. About that poem: I ripped off the final lines of Coleridge's "Kubla Khan". You know...the finale that begins, "Weave a circle 'round him thrice and close your eyes with holy dread?" My thievery so bothered me that I finally rewrote the ending not too long ago.
Don't know how many times I've dashed back and forth between poetry and fiction. I have two writing degrees—poetry and fiction. I say these things, knowing full well that degrees mean absolutely nothing except that I was willing (or foolish enough) to throw away my money in hopes of landing a writer's in residence position at a university while trying to avoid a meetup with Mr. Manual Labor as long as I could afford to. Ah, the joys of entertaining the muse in your captain's quarters for a lifetime, eh, William Henley?
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