Nothing could be more boring than hearing about another damn Booming rewrite. Right? But that's all I have to report. I'm rewriting Ghoul World.
I've had a couple more rejections come in of work I'd submitted only to the most prestigious and paying markets. What do I expect? My work is nothing like what passes for writing these days. It's not young enough and it's style, of necessity, does not ring true in a youthful mind. As
I think of the style of my writing, I realize how cosmopolitan most
young writers are. I'd class my story as appealing to a Richard Hugo or
James Welch audience of old. One of my best stories, and I know it's well written, is from the pov of a drifter and blue collar dude who finds himself working in boom town Gillette Wyoming. He befriends a naif young veteran who gets himself involved with a very troubled and promiscuous female. How it works out must remain a mystery as the story is a mystery that never gets solved.
Another writing problem is how to finish the poetry book [more likely chapbook] Up Your Ass about the 8 month cancer bout I just finished dealing with. I have no interest currently to write a concluding poem, but I feel the series requires one. It's almost a disappointment that it won't end in my death. I know...how could I say that? Well, writing requires a conclusion, and I'm not ready to conclude yet. Happy trails to you...so Roy Rogers would say.
Wonderful Friday night, my wife's home from work, and we just watched Bill Murray being awarded the Kennedy Center Mark Twain Award, and isn't it funny to watch an old dude like Bill and wonder how he grew so old while you remain so young? Speaking of which, I turned 79 this month on the 20th, and I'm still pursuing my goal fiercely, when I'm not weeping for myself, to get someone other than myself to publish a novel I've written.
I'm slowly rewriting a short story from a first person narrative into a combined third person/omniscient pov, and I've even sent off a couple of haikus to haiku magazines. I've got a hundred of them at least. These last two days I've been working on another prostate cancer poem for Up Your Ass, and I'm beginning to understand what I'm trying to do. I'm layering in historical personages, friends, details from my own and others lives and historical moments and surrounding them with my mortality and letting them sit side by side to percolate together, hoping that something enticing will show up to stimulate a reader's mind. I no longer experience those powerful moments when words are summoned from out of nowhere by emotion and bonded in metaphor to mean something else. I guess imagination still works, but much more gently. Why else would Roy Rogers, Dale Evans, Gabby Hayes, Nancy and her "Ronnie" Reagan appear together in the poem I'm working on? The inspiration is still there, but it doesn't torture me so much.
Nothing could be more boring than hearing about another damn Booming rewrite. Right? But that's all I have to report. I'm rewriting Ghoul World. 