Today, my task is to complete a table of contents for a 76 poem ms of 8 line poetry. I'm entering it in a contest with deadline of June 30th. I guess I'll call it Wrestling Hanshan as is the longer ms entitled that I've selected the poems from.
I've been kind of down these past few days. This morning I went in to get a blood draw to test my PSA level. I was scheduled to go in June 1, but I held back. It's been six months since last test and I fear, for no good reason at all, the PSA level is on its way up. I'll soon know. If so, the cancer would be back. Last two days have felt very tentative and melancholy. I made the mistake of watching a video about Roger Ebert last night—Life Itself. He died of cancer. The man had no lower jaw, could not eat or drink the final years of his life. It was not uplifting to watch.
Yesterday, I rode the Max into Portland just to change pace. Read Milosz's poetry and sat around at sidewalk tables, watching people. Tried to write some poetry but haven't looked at it today to see if anything still clicks. The rewrite of the novel Ghoul World draws near, I think. The impulse to write poems seems to have eased.
Let's Speak The Same Language
Showing posts with label Wrestling Hanshan. Show all posts
Showing posts with label Wrestling Hanshan. Show all posts
Wednesday, June 6, 2018
Monday, May 21, 2018
MILOSZ, NOBEL PRIZES AND THE BEATNICK BOOMER
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| That's Milosz. |
Off Topic: today I bowled two games at a local alley. First time in four or more years and following the radiation treatments. I bowled 99 and 102. The first time I bowled I was in my early teens, and I failed to break 100. Never since that time until today have a failed to break the century mark. In my heyday, I could break 200 on a semi-regular basis. You can see the arc of a life in my bowling experience. I was too weak to control the ball and missed my spot nearly every time, although I did get two strikes in a row, the only marks in my 102 game.
The other day, I was writing in our local Barnes & Noble, and I want to support them, so I bought a collection of the poetry of Czeslaw Milosz, Nobel Prize winner. Beautiful stuff, and I can understand some of them. They touch me. Buy books at your local book stores, small and large. Amazon will do okay without us.
Wednesday, May 2, 2018
THE BEATNIK APPEARS NEAR COLD MOUNTAIN
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| Professor Heinricks |
Sixty-three people looked in yesterday to Silent Boomer, and I'm shamed that I'm just not keeping up with writing blog entries. I'm nearing the end of the 8 line poems for my ms Wrestling Hanshan. I must still look over seven more of Hanshan's lüshis with an eye to wrestling with him over them or singing harmony with him whichever occurs as best. It's a very friendly musical contest between poets of like temperament. Next project is to return to the novel Ghoul World to rewrite and correct several accidentally comic passages. Another movie is in my mind, but it's so awfully serious, I don't know if I have the temperament anymore to pull it off without laughing like Hanshan.
I was encouraged when I emailed Robert G. Heinricks, Preston Kelsey Professor of Religion, Emeritus, at Dartmouth. Beside his other accomplishment, his translation of Hanshan's 300 poems were the ones I first sought after Gary Snyder brought Hanshan [Cold Mountain] to my attention 25 years ago. You see, I have doubts about this little known poet that I am attempting to compare and contrast my poetry with the impressive lüshis of Hanshan. I sent along three of my 8 line poems, and Professor Heinricks was kind enough to answer and encourage me. He thought my work sounded like Hanshan's work and that is exactly what I want my work to do. Interesting to me that a happily married city atheist like myself can feel in his bones very like a semi-religious hermit poet from China who wrote 12 centuries ago. But I have had some legitimate fears about how men and women who read Chinese and who have studied Buddhism and Hanshan will respond to my presumption. Thank you, Professor Heinricks, for your encouragement.
I was encouraged when I emailed Robert G. Heinricks, Preston Kelsey Professor of Religion, Emeritus, at Dartmouth. Beside his other accomplishment, his translation of Hanshan's 300 poems were the ones I first sought after Gary Snyder brought Hanshan [Cold Mountain] to my attention 25 years ago. You see, I have doubts about this little known poet that I am attempting to compare and contrast my poetry with the impressive lüshis of Hanshan. I sent along three of my 8 line poems, and Professor Heinricks was kind enough to answer and encourage me. He thought my work sounded like Hanshan's work and that is exactly what I want my work to do. Interesting to me that a happily married city atheist like myself can feel in his bones very like a semi-religious hermit poet from China who wrote 12 centuries ago. But I have had some legitimate fears about how men and women who read Chinese and who have studied Buddhism and Hanshan will respond to my presumption. Thank you, Professor Heinricks, for your encouragement.
Sunday, April 8, 2018
BEATNIKING OUT THE LÜSHIS
Thank you to the 81 people who checked in yesterday to see what I'm about. I have written 89 new lüshis by now, my goal to be 100 of them, for the manuscript I now call Wrestling Hanshan, and I have submitted my prostate cancer manuscript You Wake One Morning, Remembering to the Pittsburg University Press and The Iowa University Press contests. Last year, I submitted the ms to the Walt Whitman Prize of the Academy of American Poets. It was recently returned. The form letter was very encouraging, and I had to ask myself hopefully if they send back rejections in more than one form. Of course, the rejection is just being professional, so why does my mind want to make something special about it? The Pittsburg submission process asked for my curriculum vitae. Ha! What curriculum vitae? I sent in my list of publications (several pages) and honors (few as they are).
Recently, after watching yet another coming of age film through sturm und drang of a young female protagonist, my brain—of its own volition of course—began working on a stormy film of my own, beginning with the scene after my first divorce when at age 36 I awoke from a dream of my infant self trapped in a VW with a snow monster in the passenger seat staring down at me who lay in the driver's seat from which I awoke, crying out in a pitiful child voice, "Mamma, Mamma," while tears streamed down my cheeks... I kid you not.
Recently, after watching yet another coming of age film through sturm und drang of a young female protagonist, my brain—of its own volition of course—began working on a stormy film of my own, beginning with the scene after my first divorce when at age 36 I awoke from a dream of my infant self trapped in a VW with a snow monster in the passenger seat staring down at me who lay in the driver's seat from which I awoke, crying out in a pitiful child voice, "Mamma, Mamma," while tears streamed down my cheeks... I kid you not.
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