AMAZING MENTAL GYMNASTICS, KEN KESEY

Facebook informed me last night that everyone was waiting with bated breath for my next entry. Also, nowadays, Facebook keeps inviting me to boost my blog entries with dollars. I have refrained from that thus far. Is boosting worth anything? I'm not going to pretend I don't want people waiting for my sci fi novel to come out.

My last entry, if you recall, was about all the balls one must keep in the air—the memory required—to write a novel, specially a detective novel with many mental mazes included within its pages. Sometimes the thing to be recalled is quite simple. Just this morning, my character, Charley Manning, was recalling his last meeting on the sidewalk before his apartment building with Misty Frampton. Then I had to recall whether or not I'd removed that meeting for some other important reason. At last, not able to find the meeting, I kept in his thought about last seeing Misty [for romantic reasons], but I removed the reference to any specific place. That's a simple example how things must be juggled. An example of why Ken Kesey quit writing.

PS: I keep extensive plot notes, but, then I make changes and don't update the notes. The notes become as much of a distraction as the novel itself.

COLD MOUNTAIN/OLD GRAYHOUSE, COMPARE AND CONTRAST

What can I say about my tardiness in making entries in this blog? I have no excuse except the writing of lüshis is carrying me away, and I hesitate to keep using that as an excuse. I think constantly about rewriting Ghoul World, but the creative juices that flow as I write these 8 line poems can't be resisted at this time. As any writer knows, you can't stop one project to start another without totally destroying the state of mind that is driving the first project. My aim is to put together a ms of 100 lüshis before I stop, but if my drive cools down before I reach 100, then, of course, I'll stop. Not more than a few months back, I thought all creative juices had dried up for this 80 year old, but Hanshan's poetry is serving as a springboard for my own work. I've reached a stage where I use Red Pine's translations of Hanshan's work as my starting point. I see some of Hanshan's work as being that of a reclusive and sometime moralizing ancient poet in a rural landscape whereas I'm a modern poet in an urban landscape. Thus I use Hanshan's work as sometimes a contrasting force for my lüshis and sometimes as a comparative force. I'd give you and example, but I'm seeing repeatedly that many literary marketplaces don't want to see submissions of anything that's been published in blogs so I'm mute at this time.