ANXIETY'S A BEAT NAMED THE SILENT BOOMER

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I'm learning constantly the intricacies of writing a detective novel, specially one set 250 years in the future. Today, I added another piece of complexity to Manning, details about Beaunita and her knowledge (or lack of it) and how that affects her interactions with Charley Manning and how his knowledge of the case will eventually be connected to the new details in Beaunita's own knowledge (or lack of it) about the case. Obviously, the more complex the novel the more risk of inconsistency and implausibility. The anxiety I feel about the difficulty of complex plotting at my age sometimes nearly causes me, like Ken Kesey did, to quit writing. I'll feel all those details out there in space and the impossibility of me remembering them all. Whew!

The failure to recall minute details at my age certainly increases the risk of writing a major inconsistency into the tale. For one example, I forgot that a sinister character, during an encounter, removed one of Manning's molars while Manning was drugged into unconsciousness. It was a warning about future dental work without anesthesia. I recalled the meeting as several things did happen in it, but I forgot the tooth removal detail as part of that meeting. Not central to the plot, it's a detail not to be forgotten since Manning's physical status means the hole in his gum won't ever heal. He'll require a Wayland Patch.

Sadly, the Ooligan Press query about my novel ANGIE'S CHOICE fell through. They decided that "your work does not fit our present needs". However two other smaller pieces having been published already this year brightens me considerably.